Music portfolio and Exegesis, Rebekah Wilson for Master of Music, 2018
Exegesis [ PDF, 100 pages ]:
https://hdl.handle.net/10063/7099
The Constraints, Aesthetic Implications, and Creative Strategies of composing for Networked Music Performance
Track #1: Unison Not Unison
For two guitars at two locations.
Live recording with Wiek Hijmans (in Amsterdam) and Sjors van der Mark (in Tilburg)
Maze festival June 2017, Amsterdam

(WAV 44.1khz 16-bit 136mb)

Video recording
[MP4, 1.1GB]
Track #2: Unison Not Unison
Workshop recording with Wiek Hijmans
February 2018, Amsterdam

(WAV 44.1khz 16-bit 172mb)
Track #3: Phase Not Phase
For two pianos at two locations.
Live recording with Dante Boon (in south Amsterdam) and Reinier van Houdt (in west Amsterdam)
February 2018, Amsterdam

(WAV 44.1khz 16-bit 185mb)
Track #4: Echo Not Echo
For two quartets at two locations (Flute, Marimba, Piano, Cello).
Studio-constructed recording and effects
(Pro Tools, Vienna Symphonic library, Max/MSP)

(WAV 44.1khz 16-bit 120mb)

Video score
[MP4, 0.17GB]